Gender-theory kru, your attention please:
I came across the following recently, and wondered if any of you might have some idea of its source:
I came across the following recently, and wondered if any of you might have some idea of its source:
Gender is not like some of the other grammatical modes which express precisely a mode of conception without any reality that corresponds to the conceptual mode, and consequently do not express precisely something in reality by which the intellect could be moved to conceive a thing the way it does, even where that motive is not something in the thing as such.Any thoughts? And can someone tell me what it means?
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This is, of course, bollocks; not just because such binaries are far more complex than that, but because the existence of such grammatical modes prefigures, rather than reflects, the interiorisation of those thought patterns.
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Does it? What evidence do we have for this?
I would have thought that apes could distinguish between male and female, long before they went on to evolve into beings with any concept of grammar.
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But since its unclear wtf the piece is really saying I may be wrong (though it's clearly untrue to say that the gender that French assigns objects expresses something in reality so would then be baffled as to what its point is).
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I believe Proto-Indo-European had two genders, active and neuter, which corresponded roughly to things which can act (people, animals, gods, etc) and things which can only be acted upon (rocks, houses, trees, etc). At some point this split further into three genders, then recombined, resplit, and so on.
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The entirely contrary perspective would be that masculine and feminine are just labels applied to classes of words describing how they are used, and one may as well label words 'hot' and 'cold', 'red' and 'blue' or 'high' and 'low'.
Your opinion appears that while words don't have an intrinsic nature as being male or female, the suggestion of a gender to a word may alter one's perceptions of the object - i.e. one speaking a Romance language when asked to describe a bridge may talk of robust strength and utility, while a Germanic language speaker may refer first to the elegant curves and smooth lines.
Of course one may theorise that if this is the case one may expect Romance bridges to appear more 'male' and Germanic bridges more 'female', reflecting the preconceptions of the designer, thus somewhat enhancing the impression that gender is indeed intrinsic and not a societal construct.
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"What abominable writing."
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Sadly, though, I'm no help on what/why/where/whuh?
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I just saw that as well, on Paul Graham's "On Philosophy" essay.
The footnote says:
This is actually from the Ordinatio of Duns Scotus (ca. 1300), with "number" replaced by "gender." Plus ca change.
Wolter, Allan (trans), Duns Scotus: Philosophical Writings, Nelson, 1963, p. 92.
I believe it was to show a point: lots of impressive-sounding words put together in a way that's hard to understand makes it easy to think that there is some underlying meaning that you are missing, as opposed to just being badly written.
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I'd assumed that was his point (though actually, I think